12/23/2023 0 Comments Autotune pro antaresIf your DAW doesn’t support ARA, you have to keep doing it the old way by selecting Pitch or Pitch and Time analysis, then activating the DAW’s transport to play through the desired section of audio. Unfortunately, although ARA v2 is supported in several other DAWs, Auto‑Tune Pro is only compatible with PreSonus’s implementation at present. Within ARA‑compatible DAWs, you can edit in Auto‑Tune Pro’s Graph Mode without first having to play the selection to get the audio into Auto‑Tune. The major addition here is that Auto‑Tune Pro now supports ARA (Audio Random Access), a technology developed to provide closer integration between audio plug‑ins and their host DAW. Otherwise, the tools look very similar to those in the previous version. Turning to the graphical editing mode, existing users will notice that there is a larger and slicker display, which now includes the ability to create and save zoom presets to speed up navigation when editing. This feature, combined with all the parameter automation options, means you can really go to town on special effects. Also in this section are the buttons that allow the correction to be controlled from a keyboard or MIDI track in Logic Pro a version of the plug‑in shows up as a MIDI‑controlled effect that can be used in an instrument track, with the audio coming in on a side‑chain, so you can control the audio processing from a MIDI track or a real‑time MIDI input. Careful use of these tools helps achieve a natural‑sounding result in most cases even without using the graphical editing mode.Ĭlicking the Advanced button reveals seven smaller rotary controls used to create and control an artificial vibrato that can be set to come in gradually, along with a row of buttons for adjusting the correction scale so that individual notes are removed or exempted from correction. A Flex‑Tune knob applies the pitch‑correction only to notes that are close to the correct pitch, ignoring bends and swoops that fall outside of its range, while the Humanise control delays the onset of correction for long sustained notes to prevent them from feeling over‑tuned and synth‑like. In Basic mode, four knobs cover Retune Speed, Flex‑Tune, Humanise and Natural Vibrato, the latter allowing a singer’s original vibrato to be either reduced or intensified. As before, correction can be chromatic, or restricted to a preset or user‑designated scale. A row of small buttons and knobs at the top of the screen control input type, scale, key, formant adjustment, transpose, detune and tracking.Ī new Basic view makes only the key Auto mode parameters available.The centre of the window is now dominated by a circular display that shows how much pitch‑shift is being applied, with the detected note displayed in the centre. Views can be switched during a session to de‑clutter the GUI if required, and any changes made in Advanced mode will still apply. The number of controls has grown over the years, and in this new Pro version, the Auto mode can be switched between a Basic view, which hides some of the more exotic features to help the new user, and an Advanced view where all the controls are available. The automatic, real‑time mode gives results fast, while a more forensic graphical editing mode can produce more natural results if you have the time for some manual editing. Like previous versions of Auto‑Tune, the Auto‑Tune Pro plug‑in can operate in two modes. This brings a very fresh new look, with major GUI improvements, as well as a few ‘under the hood’ changes and added features. Naturally, there have been frequent updates in that time, and the latest of them introduces Auto‑Tune Pro. Auto‑Tune keeps evolving, and the latest version incorporates both its best pitch‑correction ever and a nod to its past.Īntares’ Auto‑Tune was the first automated pitch‑correction plug‑in, and more than 20 years on it is still in daily use throughout the world.
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